Monday, 12 June 2023

Book review: Misquoting Jesus

Right now I've got a stack of books on my bedside table on the history of early Christianity, which I'm steadily working my way through.  Just for fun, nothing serious.

But one book needs to go back to the library today (luckily I've finished it), so I'd better write down a few of my half-baked thoughts on it.

It's Bart Ehrman's 2005 book Misquoting Jesus: The Story Behind Who Changed the Bible and Why.

I've said here before that I grew up as a sincere Christian, but started to question it as a teenager.

Twenty and more years ago, at university, I looked into the more philosophical aspects of Christianity.  The reasons for and against belief, the nature of faith, the concept of God, etc, etc.  I did a big chunk of my graduate studies in the area, and tutored undergraduates.  (So I guess I'm moderately well-read, but far from an expert.)

My academic studies were the tail end of my steady de-conversion, and after completing my dissertation I settled into my own views as a happy atheist/agnostic.  Over the years I've continued to casually check the discussions, and overall not much has changed.

But the history of Christianity is a whole other topic, and one I don't know in as much detail.

Even though the church that I grew up in was quite Bible-based, and I was pretty familiar with many of the Bible stories, I don't recall much emphasis on the history.

Reading historians on the subject now, I see several historical issues that I don't recall ever hearing in church.  From what I read, I understand that these are standard topics discussed in many theology courses that church leaders graduate from.  However, it seems maybe they don't often pass this information on to their congregations?

Issue One: What are the physical texts?

One thing that jumps out at me is that I don't remember hearing in church about the physical texts and their origins.

I'll try to summarise my understanding of my readings; happy to be corrected by those more knowledgeable.

It's still an open question when many of the books of the New Testament were written, but the mainstream view seems to be that the first were written about 20 years after Jesus' death.  These are the seven letters that Paul wrote, with the earliest around 50 CE.  The Gospel of Mark was likely written around 70 CE, Matthew and Luke-Acts maybe 15-ish years later, and John several years after that.  The final New Testament books seem to have been written around 100 CE or soon after.

However, we don't have any of the original texts.  Instead what we have is copies.  Or rather, copies of copies of copies, etc.

Our earliest copy is a credit card sized piece containing parts of the Gospel of John (Papyrus 52).  It's dated to around 150 CE.

The earliest complete books of the New Testament are dated to around 200 CE (Paul's letters in Papyrus 46, and John's Gospel in Papyrus 66).  The earliest complete Bible we have is from around 350 CE.

The New Testament that we have today is, as I understand it, a pretty close reconstruction of what was being read and copied in the third century CE.  But it's not what was originally written or what was originally copied and passed around, as we have lost those.

Nonetheless our modern translations are closer to the originals than the King James Version, as it was based on a twelfth century manuscript that is now seen as one of the worst available to us.  (The King James Version is beautiful literature, but not so accurate to what the original writers likely wrote.)

Issue Two: The manuscripts are different from each other

But does it matter that we don't have the originals?

It turns out that, at the very least, it's an issue.

The thing is, copying manuscripts by hand is quite different from printing them.  It is very hard to copy accurately, word for word, anything by hand.  Mistakes creep in.

To put a number on it, apparently there are more differences between our manuscripts than there are words in the New Testament.  That is, between the approximately 5700 Greek manuscripts we have of the New Testament, there are maybe 300,000 or more differences.

So, if we want to read the Bible, which manuscript do we use, and which difference do we choose over the other?

Fortunately most of these differences are trivial.  There are spelling mistakes, or missed words, lines or even pages.  The scribes copying the manuscripts are just like us when copying -- their eyes sometimes jumped or misread things, and mostly it's easy for us to correct for that and reconstruct things.

But some of these differences are not trivial.  There are a significant number of passages that are importantly different from each other, and sometimes it's hard to know which was the original and which was a later change made by a scribe.

And this is not just accidental changes.  There are plenty of passages where it's clear that scribes intentionally made changes to the texts.  On purpose they made additions, changed words, took things out, etc.  We know whole sections have been added by later scribes, likely to give authority to their particular theological/political beliefs and to combat competing ideas.  We also know that, more subtly, occasional words were changed to better suit their views.

What all this means is that we have manuscripts in which there are important differences and we don't always know which was closer to the original and which was the later scribal change.

Consequently, a big part of historical scholarship is textual analysis to find reasons for choosing one difference over another.  In a significant number of cases there are still open questions and scholarly disagreements on which way to go.

Issue Three: Known unknowns and unknown unknowns

So, scholars know they have got manuscripts that differ from each other.  We know that scribes changed the texts, as we have got the physical evidence.  And we know that sometimes we don't know which manuscripts contain the original texts and which were later scribal changes.

We also know that the earliest manuscripts we have are many generations removed from the original writings.

Those earliest scribes probably changed things as much as the later ones we know about, both accidentally and intentionally.

So, we can infer that there were almost certainly scribal changes between the original texts and our earliest copies.  The earliest copies that we have are almost certainly different from what the original writers wrote.

But how much, which parts, and in which ways?

We simply don't know.

Issue Four: Historical methods for reconstruction

Fortunately, despite the limits of the texts we physically have, scholars can make some educated, reasoned guesses about which manuscript versions are more likely to be closer to the original and which are more likely to be later scribal changes.  But these are only ever best guesses, and not certainty.  And it's still hard to jump the gap between our earliest manuscripts and the original writers.

Historians have developed a list of criteria which they can apply to unclear cases.  It's not infallible, but it's good to have reasons to help with the educated guesses.  An ongoing issue is which criteria to use in various specific cases, and their relative weighting.

For example, an initially counterintuitive criterion, which makes sense on closer inspection, is that the more difficult reading is more likely to be the original one.  Scribes, when they make changes, are more likely to make a reading easier rather than harder.  So, all things being equal, the more unusual wording or uncomfortable concept is more likely to have been written by the original author, and the less challenging one was more probably a later scribe trying to "correct" things.

To me, it has been fascinating to read specific textual examples of where known manuscripts significantly differ, and then work through the ways that historians might apply different criteria for deciding which was closer to the original and which was the later scribal change.

Issue Five: Inerrant scriptures or historical documents

A theological puzzle for Christians who say that the Bible is the inspired word of God, or that it is inerrant, is that historical scholarship seems to show that at best we are one step away from the original writings.  Even if the original writings were so inspired or inerrant, that's not what we have today.  And surely it seems odd if God were to inspire the original writings, but then not make sure that they were accurately preserved for later readers.

It seems to me that looking at the textual history of the Bible opens up the possibility of relaxing the need to see the Bible as always internally consistent or accurate in all respects.  Perhaps more plausibly we ought treat the Bible as written by fallible historical people in their own time and to their own audience.  Arguably smart, insightful, and often accurate, but without that sense of necessary textual infallibility that we often hear from believers.  A slight reduction in textual authority is okay, and surely Christianity can live with that.

---

So, the book is now back at the library, and other books on my bedside table await reading.

Overall I'm not enough of a textual scholar to comment on the accuracy of the information in Ehrman's book.  But what I can say is that it's very clearly presented and the reasoning is strong. For now I'm persuaded.

Wednesday, 7 June 2023

Recorder and cello

Since Mulan's recorder performance a couple of months ago, we've enjoyed a few more music concerts.

On the 12th of May the Westlake schools' orchestras, bands and choirs performed at their Music of the Lake concert.  The school wrote about it here.

Mulan played her cello in both the symphony orchestra and the chamber orchestra (and you can just see her in one of the photos in the school article!).

Then on the 28th Mulan joined her recorder teacher and a few other musicians playing at a retirement village (and getting paid for her performance).

Here's Mulan's first piece, Benedetto Marcello's Sonata No. 4 for Recorder:

Her second piece, Kevin Kim's Cabbage Trio

And they finished off with an unplanned, sight-read piece:

Finally, last night the Westlake schools' choirs performed at their Choir Concert.  (The school wrote about it here, and we can just see Mulan in one of the photos.)

Mulan doesn't sing, but the Cigno Voce choir asked her to play her cello during one of their songs.

And here it is:

Saturday, 29 April 2023

Miya's maths: Khan Academy 7th Grade

13 months ago I wrote that Miya had finished Khan Academy 6th Grade maths.  Today she finished 7th Grade.

She'll start 8th Grade maths tomorrow.  (If she was in the US she'd be starting as a young 8th Grader in September.)

We're almost certain that Miya will finish homeschooling and start secondary school (Year 9) at the beginning of next year.  We're not expecting that she'll finish 8th Grade maths by that time, but our attitude is that the further she gets through it the easier it will be for her as she adapts to school life.

Tuesday, 18 April 2023

Handel's Athaliah

The other day I mentioned that Mulan was going to play her recorder in a concert.

It happened over the weekend.

So, Mulan's teacher, Kevin Kim, is a professional recorder player.  He asked Mulan if she would like to play second recorder in Handel's Athaliah, in which he was playing first recorder.

Oh, and Mulan would get paid for it.

Of course we said yes!

Mulan attended a couple of practices last week, and then performed twice over the weekend.  (I went to the Auckland Central performance.)

Mulan just had a small part, playing in one piece (number 26 of 57).  When it was time, Mulan and Kevin stood up and played together, featuring back and forth with the singer playing Josabeth.

Well done Mulan on her first professional music performance!

Saturday, 15 April 2023

Mulan driving

Mulan's now driving.

She's been preparing for the last few months, studying up on the driving theory here, so that as soon as she turned 16 she could sit the theory test and get her learner's licence.

Her birthday was a few weeks ago, but with a busy school life she decided to wait until the holidays.

Anyway, she sat the test on Tuesday, passing with 100% (35 out of 35).  (She said compared with school, the test is very easy.)

Each day this week we've headed out to a local car park and Mulan's driven around and around, stopping and starting and practicing turning into car parks.  She's not quite ready yet to be out on the road, but she's getting smoother.  The aim is to be ready to sit her restricted test at the end of the year after school exams.

Friday, 7 April 2023

Music

In yesterday's post I briefly mentioned about Mulan's music.  Here's a bit more.

Mulan:

Mulan's in three orchestras/bands this year.  She

  • continues to play flute in the West City Youth Concert Band,
  • continues to play cello in the Westlake Symphony Orchestra,
  • and has newly joined the Westlake Chamber Orchestra, also playing cello.

A couple of weeks ago the Westlake music groups performed at their annual Equinox Concert.  The Westlake Girls magazine wrote about it here.

Here's my shaky video of the Chamber Orchestra:

And the Symphony Orchestra:

Last weekend the Westlake Symphony Orchestra and Concert Band went away together for a four-day camp.  (Unfortunately it clashed with Mulan's athletics North Island competition, which I mentioned here.)  From what I hear there were a lot of hours of music, and not so many of sleep.  A good time, though exhausting, and awful timing just before their NCEA internal assessments this week.  The Westlake Girls magazine wrote about it here (Mulan is in one of the photos -- holding up the picture).

As part of playing cello in the school orchestras, Mulan is continuing to have weekly private cello lessons at school.

Even though Mulan plays cello and flute in the orchestras/band, recorder continues to be her main instrument, and she is continuing to have weekly private lessons at home.

Mulan has been asked to play recorder in a concert next weekend, playing Handel's Athaliah (tickets for Saturday and Sunday).

Miya:

Miya continues to play her clarinet in the West City Youth Concert Band.

She is continuing to have fortnightly private lessons, and is working towards sitting the Trinity Grade 7 exam at the end of the year.  (Miya's teacher thought that after sitting Grade 5 last year she may as well skip Grade 6 and go directly to Grade 7.)

Thursday, 6 April 2023

Athletics

The athletics season has now finished.

Lately I haven't been posting regularly about our competitions (or anything), but I thought it would be useful to record a quick summary of our main results this season.

(Competition results aren't everything, and equally important is personal growth, new PBs and skills development.  But it's nice to look at comp placings sometimes!)

A big reason for Mulan and Miya's recent successes (and huge gains) is that they have both been working hard with their training.  This season the reinvigorated Takapuna Athletics Club started a training squad for their age group, and the great atmosphere has really encouraged awesome results.

Miya:

(In Auckland colours competing at the scaled down Interprovincial competition)

Besides the North Island Colgate Games (which I wrote about here), Miya's three big competitions this season were the Auckland Senior Champs (competing as Under14), the Auckland Children's Champs (competing as Grade 12), and the Auckland Children's Pentathlon Champs (also Grade 12).

At the Senior Champs Miya got:

  • 1st triple jump
  • 2nd 80m hurdles
  • 2nd shot put
  • 3rd discus
  • 3rd= high jump

While at the Children's Champs she got:

  • 3rd high jump
  • 4th 80m hurdles
  • 7th shot put
  • 9th discus

And at the Pentathlon Champs (discus, shot put, 800m, long jump, 200m) she came 4th.

Miya is on the Auckland ranking lists for the Under 14 high jump and triple jump (1st in high jump and 2nd in triple jump).

She got three Takapuna Club records: Grade 12 80m hurdles, and Under 14 80m hurdles and high jump.

Miya's best events seem to be high jump (1.45m twice) and triple jump (9.40m on grass), though with still being young and growing she needs to be careful with the various aches and pains to not push herself too hard (especially in triple jump).

Mulan:

(In Westlake Girls colours at the schools Auckland Champs)

Besides the Schools Nationals in December (which I wrote about here), Mulan's three big competitions this season were the Auckland Senior Champs (competing as Under 18), Auckland Multi-events Champs (Under 18 heptathlon), and Auckland Schools Champs (competing as Intermediate).  She didn't compete at the Schools North Island competition, as it clashed with a music orchestra event she was in.

At the Senior Champs Mulan got:

  • 1st triple jump
  • 3rd 100m hurdles
  • 3rd long jump
  • 6th shot put
  • 6th discus

And at the Multi-events Champs (100m hurdles, high jump, shot put, 200m, long jump, javelin, 800m) she came 1st in Auckland.

At yesterday's Schools Champs (track and field results) she got:

  • 3rd triple jump
  • 7th 80m hurdles
  • 10th long jump

Mulan is on the Auckland ranking lists for the Under 16 triple jump and long jump.

She got three Takapuna Club records: Under 16 80m hurdles and triple jump, and Under 18 100m hurdles.

Mulan's best event is the triple jump (9.70m), and while she's had solid performances all season with all her events we always feel that there are some big results yet to come.

Ever since the Schools Nationals in December, Mulan had been carrying niggling ankle injuries.  First it was her right ankle from the Nationals triple jump, then it has also been her left ankle since the Heptathlon high jump.  She's been taping these each time she competes and trains (and is rehabbing them with massage and wobble-board strengthening), but they were fairly painful at yesterday's competition.  It'll be good to rest and rehab over the off-season.

Me:

(Part one of the Auckland Champs Pentathlon)

I continued to compete this season, in the Masters Men 45-49 age group, though unfortunately catching Covid in late January slowed me down a bit.

At the Auckland Senior Champs I got 1st in my age for triple jump.  Then at the Auckland Multi-events Champs I got 1st in my age in Auckland for the Pentathlon (long jump, javelin, 200m, discus, 1500m), though getting a migraine partway through slowed down my later events.

I got three Takapuna Club records in the Masters Men 45-49 age: 100m, 200m and high jump.

While my triple jump significantly deteriorated, I was very happy to (a) get over 5 metres in the long jump, (b) get 27.07sec in the pentathlon 200m, bettering my time from last year, and (c) keep up with Miya and get 1.46m in the high jump!