Tuesday, 21 July 2020

US navy seals fitness test

During the weekend the girls informed us that we were going to do the US navy seals fitness test.

We'd done the US marines physical fitness test because Magnus Midtbø did it.

And followers that we are, when Magnus did the navy seals test, we thought "why not?"

The first event, unsurprisingly, is swimming.  According to Magnus it's 500 yards (457m) breaststroke with head up out of the water (or side stroke).

The thing is, I'm not a swimmer; I can barely swim.  This means head up breaststroke is kinda my style, because I can't do much else.  But 450 metres?  I'd never done that before, so my aim was simply slow and steady to try to complete the distance.

But Mulan and Miya are great swimmers.  The hardest thing for them is having to keep their heads up -- it's painful on the neck and harder to glide.  And Mama's not too bad, either.

Anyway, on Sunday the four of us biked to the Takapuna swimming pool.

The pool is 33.3 metres long, and so we decided to do 14 lengths (466.2m, or 509.8 yards) -- close enough is good enough.

According to Magnus, a competitive swim is 8 minutes, while the minimum is 12:30 min.  Magnus did it in 10:30 min and his girlfriend did it in 15:43 min.

Mulan and Miya went first, with Mama and me next.  Our results were:

Mulan: 11:53 min
Mama: 15:11 min
Me: 17:48 min
Miya: 18:00 min

So, Mulan passed, but the rest of us failed.  (But at least my wife beat Magnus' girlfriend!!!)

After the swim we're supposed to also do:
  • sit ups in 2 min (min 50; competitive 80-100)
  • push ups in 2 min (min 50; competitive 80-100)
  • pull ups, with no time limit
  • 1.5 mile (2.4 km) run (min 10:30 min; competitive 9-10 min)
But we decided to get our money's worth at the pool, and tire ourselves out with more swimming.  We'll do the other events another day.

Monday, 13 July 2020

To kill a mockingbird

We're still continuing to watch movies.

Last night we finished watching the 1962 movie, To Kill a Mockingbird, which was based on Harper Lee's 1960 book of the same name.

It's one of those must-see classics which I'd previously never got around to watching.  Mulan said it was much better than she was expecting!  I've also never got around to reading the book; I've now requested it from the library for Mulan and me.

Back when I was at university, one of my lecturers, Tim Dare, had recently written an article called Lawyers, Ethics, and to Kill a Mockingbird.  While I hadn't read the book, I thought what Tim wrote made sense and it stuck with me.

Last night, after finishing watching the movie, I re-read Tim's article.  The idea that Atticus Finch is a tragic figure makes sense to me.  Tim writes:
Atticus’s story too is tragic. Regarding the rule of law as tremendously important, he presents his arguments in its favor to the jury with passion and all of his professional ability, recognizing that the life of an innocent man rests upon his success. But he fails, and Tom dies. When a decision over Boo is required, Atticus is struck by the similarities between the cases. Both Tom and Boo are mockingbirds: innocents who it would be sinful to harm. ... When Boo kills Bob Ewell, Atticus, cast as protector of both men, must decide whether he will allow another outsider to face the same threat. Confronted with the possibility of another tragedy, Atticus’s faith in the rule of law, and perhaps his courage as well, fail him. He cannot bear the possibility that he will be party to the death of another mockingbird. 
In the end, Atticus abandons the principles that determined his selfunderstanding, secured his unique and valuable position in Maycomb, and received his passionate defense. That is the stuff of tragedy: a principled man has come to doubt the adequacy of principles by which he understands himself and abandons those principles. Whether or not it is wicked to try people in the secret courts of men’s hearts now depends upon which men’s hearts. ... Tragically though understandably, he is not prepared to risk a vulnerable person effectively in his care, having so recently seen how his legal system mistreated another similarly placed outsider.
... Cast as a tragic figure, Atticus yields a very different message than that which he conveys as a wise figure. We are not meant to admire what he does but to be struck by the gravity of his loss. Viewed as a tragic figure, his message is one about the value of the principles he has abandoned, not one about the desirability of regarding them as disposable, trivial, or burdensome.
I'm also persuaded by Tim's main point regarding legal ethics.  I highly recommend the article.

UPDATE 14/8/2020: I finished reading the book yesterday (Mulan sped through it a couple of weeks ago).  I highly recommend the book, and it is even better than the movie.  I agree with Tim's interpretation above; in the book it is clearer to see than in the movie, and there are several hints along the way suggesting Atticus' tragic fall.

Wednesday, 8 July 2020

US marines physical fitness test

Today we got inspired by Magnus Midtbø.

Magnus is a Norwegian rock climber and YouTuber who we enjoy watching.  In his latest video he and a couple of friends tried out the US marines physical fitness test.

Well, if Magnus can do it, so can we!

So, this morning Mulan and I did the test at the gym, instead of doing our usual weights training session.

We needed to do:
  1. pull ups (in 1 min),
  2. crunches (in 2 min), and
  3. 3 mile (ie 4.83km) run.
Mulan and I haven't specifically trained for any of this.  And I think it's been decades since I last ran 5km (I think the most I've done in recent years is 1500m).  But surely it can't be that difficult to join the marines?!

Here are our results:

Me:
13 pull ups
81 crunches
30:00 min exactly for the 3 mile run

Mulan:
5 pull ups
55 crunches (she did 61 yesterday)
29:30 min for the 3 mile run

Once we got home we did the research, to find out what sort of results we should be getting.  Here's the rules.

You get points for your results, depending on your age.  The points tables are: pull ups, crunches, run.

👴I'm 44, so I'm in the 41-45 years category.  My points were:

Pull ups: 72 points
Crunches: 64 points
Run: 0 points -- haha, FAIL!!  I had to get under 29:20 min to get any points.  With a bit of training, and a bit of planning, I'll get there.

TOTAL: 136 points

🐎Mulan's 13, and the closest age category for her is 17-20 years.  Her points were:

Pull ups: 87 points
Crunches: 46 points (or 53 yesterday)
Run: 48 points

TOTAL: 181 points

This afternoon, Miya and Mama went to the gym to do the same thing.

🏇🐕Miya's 9, so she had to do the 17-20 years category, too.  Her results and points were:

6 pull ups: 93 points
66 crunches: 59 points
33:10 min for the 3 mile run: 0 points

TOTAL: 152 points

👵In a few months Mama will graduate to the oldest age category, but in the meantime her results and points were:

0 pull ups: 0 points
35 crunches: 0 points
Did not complete the run: 0 points

TOTAL: 0 points

We might try this again in a week or two, and see if we can improve.

Tuesday, 7 July 2020

Athletics Interprovincials

We heard a few days ago that the athletics interprovincial competition is on!

It was supposed to be over Easter, but was postponed because of Covid-19.  The latest is that it'll be held over the weekend of the 3rd and 4th of October, at Massey Park in Papakura.

As I wrote before, Mulan is in the Auckland team, doing long jump, discus, shot put and 400m.

And as I wrote a couple of weeks ago, we're getting back into the training.  Our training programme is always fun and flexible, and in term 3 we'll have a couple of additions:

Firstly, it's likely that the team will re-start Sunday morning training sessions soon.

Secondly, Mulan is re-starting gymnastics classes.  Yesterday afternoon Mulan did an assessment test at North Harbour Gymnastics, and they decided that the Level 2 Extension class would suit her.  So, we booked her in for the two-hour gymnastics class on Friday evenings.

Wednesday, 1 July 2020

100ish movies for tween girls

Mulan loves stories, and she learns well through storytelling.

Mostly this is via books, and Mulan is a huge reader (just like her dad).

Up until about a year or so ago we really hadn't bothered too much with either TV or movies.  We don't have a TV, and it's rare that something at the movies jumps out at us as worth seeing.  Anything we want to watch we usually just see on the computer via YouTube or whatever.

But last year we started noticing movies that would suit Mulan.  Last July, when we were in China, Mulan watched her first ever movie in a movie theatre (Spirited Away).  We've since watched a couple more movies in the theatre back here in New Zealand.

Several months ago we got into a new routine of Mulan and me watching a movie together in the evening at home while eating dinner.  Typically we would watch a movie over two or three evenings.  (Miya and Mama would eat dinner together in another room.)

(Yeah, some people might opine that dinnertime should be a time when the family gathers together at the dining table to relax and spend quality time together.  But for us homeschooling families who spend most of the day together sometimes it's nice to get away from each other!)

During the movie we often chat together about what's going on -- laughing at the silly stuff, challenging the nonsense, and discussing the ideas.  Alongside the fun and family closeness, this is also a serious part of Mulan's schooling.  I try to make sure that at some point we talk about the important issues that the movie raises.

With some of the more child-friendly movies Miya joins us too (and occasionally Mama), but typically it's just Mulan and me.  The aim is to challenge Mulan, and with many movies Miya is not yet ready.

A few weeks ago the girls independently decided to write up all the movies they'd watched (or at least as many as they remember!).  They created a spreadsheet, including the movie details, who watched it, when, and their opinions on it.

Today, their list reached 100.  The spreadsheet's a bit too detailed to copy here in full, so I'll just include the approximate date we watched the movie and its name (a few are actually TV series, but that's okay):

30/06/2020 Whale Rider
25/06/2020 Anne of Green Gables
23/06/2020 Anne with an E - part 1
20/06/2020 Oliver Twist
16/06/2020 i am sam
11/06/2020 The Chorus
10/06/2020 A Beautiful Mind
8/06/2020 K-Pax
6/06/2020 Mr Nobody
4/06/2020 Good morning Vietnam
3/06/2020 Awakenings
1/06/2020 Terminator II
30/05/2020 Terminator I
May 2020 Minority Report
May 2020 What's Eating Gilbert Grape
May 2020 Blade Runner
May 2020 Leon the Professional
May 2020 The Man from Earth
May 2020 2001 A Space Odyssey
May 2020 The Usual Suspects
May 2020 Captain Fantastic
May 2020 Dark City
May 2020 Predestination
May 2020 Wadjda
May 2020 Romeo + Juliet
May 2020 Emma
May 2020 The Rise of Skywalker
May 2020 The Last Jedi
May 2020 The Force Awakens
April 2020 The Revenge of the Sith
April 2020 The Attack of the Clones
April 2020 The Farewell
April 2020 The Phantom Menace
March 2020 The Return of the Jedi
March 2020 The Empire Strikes back
March 2020 A New Hope
March 2020 The Tripods TV series
March 2020 Ender's Game
24/03/2020 Inception
March 2020 Being There
22/03/2020 Memento
15/03/2020 The Truman Show
March 2020 Groundhog Day
March 2020 The Sixth Sense
March 2020 Fantastic Beasts: The Crimes of Grindelwald
March 2020 Fantastic Beasts and where to Find them
March 2020 Amadeus
March 2020 Good Will Hunting
March 2020 The Lion King remake
March 2020 The Lion King
Feb 2020 The Sound of Music
2020 Matrix Revolutions
2020 Matrix Reloaded
2020 The Matrix
2020 Stand by me
Jan 2020 Adams Family
Jan 2020 Frozen 2
2019 Gattaca
2019 The Goonies
2019 The Wizard of Oz
2019 Forrest Gump
Dec 2019 Jojo Rabbit
Dec 2019 Wall-e
2019 Children of Dune TV series
2019 Dune
2019 Edward Scissorhands
2019 The Dead Poets Society
Nov 2019 Yuli-The Carlos Acosta Story
Sept 2019 The Return of the King
Sept 2019 The Two Towers
Sept 2019 The Fellowship of the Ring
July 2019 Spirited Away
2019 The Silver Chair TV series
2019 The Voyage of the Dawn Treader
2019 Prince Caspian
2019 The Lion the Witch and the Wardrobe
2019 Soul Music
2019 Harry Potter and the Deathly Hallows part 2
2019 Harry Potter and the Deathly Hallows
2019 Harry Potter and the Half Blood Prince
2019 Harry Potter and the Order of the Phoenix
2019 Harry Potter and the Goblet of Fire
2019 Harry Potter and the Prisoner of Azkaban
2018 Harry Potter and the Chamber of Secrets
2018 Harry Potter and the Philosopher's Stone
2018 The Princess Bride
2018 Pride and Prejudice
2018 Back to the Future III
2018 Back to the Future II
2018 Back to the Future I
2017 E.T
2017 The Eagle Huntress
2017 Billy Elliot
2017 Kiki's Delivery Service
2017 My Neighbour Totoro
2017 Heidi
2017 The Little Princess
2017 Charlotte's Web
2016 The Little Mermaid
2014 Frozen 

Friday, 26 June 2020

Book review: Machiavelli wasn't Machiavellian

It's been ages since my last book review (way back last November).  I've read heaps of books since then, but just haven't got around to writing about them (maybe one day!).

This one's a good one, though.  It kinda turns things upside down.

We probably all know what it means to call someone Machiavellian.  That they're cunning, scheming or unscrupulous, especially in politics.  That they'll do whatever it takes to further their own interests and power.

The word, of course, comes from Niccolo Machiavelli, who was writing in and around 1500, in Florence, Italy.  In particular, it comes from his well-known book, The Prince (1513).

Most people these days who pick up The Prince quickly find phrases that seem to support and praise the Machiavellian outlook on life.  You skim the book, and they leap out.

And most people don't read much beyond that.  You go into it expecting the writer to advocate Machiavellian attitudes, and you quickly see it there in black and white.

If you're turned on by power, you like it and are happy that here's a respectable writer supporting your prior view.  If you're turned off by power, you put it aside as the writings of a cold-hearted monster.

What most people don't do is read the details -- read beyond the grand, provocative statements.

Erica Benner has taken the time to read further -- Machiavelli's life, his other writings, the context of his time, and the historical references and examples that abound in his writings.

Benner argues that this "Machiavellian" reading of Machiavelli, which most of us take for granted, is wrong.  According to Benner, in The Prince and elsewhere, Machiavelli precisely argues against a Machiavellian approach.  Though I'm no expert, and have not read Machiavelli as closely as I should, for now I'm persuaded by Benner's reasoning.

A few years ago I read an interview with Benner.  It intrigued me, and not long after when one of my teenage students wanted to read Machiavelli with me, we talked about Benner's view as we read The Prince together.  I kept mostly neutral, but emphasised the importance of close reading works and evaluating the reasons for any assertions.

Then I put it aside and forgot about it.

This year, Mama reignited my interest in Machiavelli.  It's a long story, but briefly, Mama is involved with a Hong Kong-based TV production company, and has helped them out with research in the past.  Just before the Covid-19 lockdown they were working on a new project (they had asked Mama to go to Europe to do some filming, but of course that didn't happen).  They were looking into including a section on Machiavelli (and Martin Luther, who lived around the same time).  I suggested that Mama read Benner's work.

So, just before lockdown, Mama stocked up on Machiavelli (and Luther) stuff from the library.  Included in this was Benner's book, Be Like the Fox: Machiavelli's Lifelong Quest for Freedom.  When Mama finished with it, I took it to read.  I finally finished it last week.

Be Like the Fox is an easy, readable, enjoyable book that non-specialists can understand without difficulty.  Benner is a professional philosopher, but in Fox she branches out and writes the biographical story of Machiavelli's life, intermingling the direct writings of Machiavelli and his contemporaries with her own storytelling.

At the time Florence, Machiavelli's hometown, was a rich but limited power, controlling just a few other cities around it (including Pisa).  Florence was often caught in the middle between the great political/military powers of the area -- the Popes, France, Germany and Spain.  Fox is a fascinating and eye-opening introduction to the situation of the day, as the big powers were engaged in complex political and military arrangements, and all battling for control and power.

Machiavelli, who for many years worked as a mid-level advisor and diplomat, often traveled with the various courts to present Florence's case to the international political powers.  He often had a front-row seat to the complex political manipulations, writing extensive notes on his observations.  Thanks to his first-person observations, as well as his extensive readings of history, over time Machiavelli developed a thought-through account of what best works for political governance.

Frequently using Machiavelli's own words, Benner presents him as a decent, real person trying to do the best he could for his hometown, by advocating justice and rule of law in the face of tyrants (both at home and abroad) who were often in it merely for themselves.

Obviously this ethical and justice-seeking Machiavelli is very different from the Machiavellian realpolitik we are used to.  So, the big question is, how is it that we can have two such vastly different and opposing readings of the same book?

The answer is that Machiavelli's readers in recent years haven't understood the social context in which he was writing.  Earlier readers often got it, but for the past couple of hundred years most readers of The Prince have simply assumed that he wrote directly what he meant.  When modern readers encounter apparent contradictions in his writings, they tend to trust the big "Machiavellian" slogans as the real view, and view the awkward complications as best ignored.

But, we shouldn't do that.  Not only should we not assume this of any writer, but we especially shouldn't assume it of Machiavelli.

A close reading shows us that in all probability in The Prince Machiavelli often used irony -- that is, with multiple levels of meaning pitched to different audiences.  He was not writing directly what he meant.  Given that Machiavelli was an experienced diplomat, as well as a popular satirical playwright, this should really be no surprise to any sophisticated/knowledgeable reader.

Quoting from the interview with Benner linked above:
3:AM: So how come few people recognized the irony? 
EB: Lots of early readers did. Up to the second half of 18th century some of Machiavelli’s most intelligent readers – philosophers like Francis Bacon and Spinoza and Rousseau – read him as a thinker who wanted to uphold high moral standards. They thought he wrote ironically to expose the cynical methods politicians use to seize power, while only seeming to recommend them. Which doesn’t mean they thought he was writing pure satire, a send-up of political corruption. He had constructive aims too: to train people to see through plausible-sounding excuses and good appearances in politics, and think harder about the spiralling consequences of actions that seem good at the time. 
... Then during the Napoleonic Wars, amoral realist readings started to drive out rival interpretations. German philosophers like Fichte and Hegel invoked Machiavelli as an early champion of national unification, if necessary by means of blood and iron. Italian nationalists of the left and right soon followed. Since then, almost everyone has read Machiavelli through some sort of national-ends-justify-amoral-means prism.
That is, in part, The Prince was Machiavelli's teaching textbook for his younger friends and acquaintances.  It was to train them on how to read well and think clearly, and not get tricked by others' political smooth-talking.  (Another part was to attract the attention of the political leaders -- to help get him a job as advisor, but without offending too much those he was criticising.)

In The Prince, one common technique Machiavelli used was to give the grand amoral "Machiavellian" statement, with some reasons.  Reasons are often via examples from history, highly praising leaders who acted in "Machiavellian"ways.

But skilled readers will see that these reasons are actually quite weak and give very little support for the grand statement.  Those who take the time to examine the actual histories, as well as Machiavelli's more subtle comments, will see that the deeds did not match the words and actually Machiavelli is challenging them to think more carefully and to evaluate for themselves the complex situations.

This technique was common and familiar.  Ancient Greek and Roman writers used it frequently, and Machiavelli's contemporaries would have been very familiar with it.  Machiavelli names and references these ancient writers who use this technique.

Regarding Machiavelli's substantive political position, he was pushing his readers to see that a "Machiavellian" approach may sometimes, with luck, work in the short term but it is not a prudent approach for longer-term governance.  For Machiavelli, long-term leadership and stability requires justice and rule of law.

Presumably over time fewer and fewer people knew, or took the time to learn, the history of Machiavelli's case-study examples -- they focused more on the simple, grand surface statements and didn't look beyond.  They missed his political point, as well as his teaching lesson.

So, next time you happen to be relaxing with Niccolo Machiavelli's The Prince (as I'm sure you often do!), think carefully and read carefully.  Don't be satisfied with the grand "Machiavellian" slogans -- that's merely the surface-level stuff.  Don't skip the examples and details -- that's actually where the important stuff is contained.

Wednesday, 24 June 2020

Athletics IP training

We're hopeful that Mulan's athletics interprovincial competition will still be on.  The last we heard it's not definite, but it may happen in early October.

Preparing well for this is a fun challenge, and a few weeks ago (for the first time) we decided to write down and (more) systematically prepare a training schedule.  It's a mix of activities Mulan loves doing anyway, with a bit of extra self-organised training sessions thrown in.

So, here it is, Mulan's current winter training programme.  We're keeping it fun and relaxed, and if we happen to miss something occasionally it doesn't matter.  Sometimes we make it up on Sundays.

Mondays
Morning: Throws practice.  Bike to the athletics track (and back), 10 min each way.  About one hour in the throws circles (both shot put and discus).

Evening: 3 classes with ballet teacher.  30 min stretching/conditioning/Pilates and 2 1/4 hours ballet.

Tuesdays
Morning: Running.  Bike to the athletics track.  3 x 300m runs (60-65sec), with 3min rest in between.  Aiming to gradually add more reps as fitness increases.

Evening: 1 hour contemporary dance class.

Wednesdays
Weights.  Bike to the gym (and back), 10 min each way.  About 45min of weights training.  At the moment we're doing:
Dumbbell bench press 3x10x7kg(each hand)
Leg press machine 3x10x20kg
Upright barbell rows 3x10x10kg
Seated calf raises 3x12x10kg
Lying tricep extension 3x10x7kg
Hanging knee raises 3x10
We'll vary this every couple of weeks to keep things interesting and challenging.

Thursdays
Afternoon: 1 hour netball team training.

Evening: 2 classes with ballet teacher.  2 3/4 hours ballet.

Fridays
Morning: Weights as above.

Afternoon: 30min swimming class.

Saturdays
Morning: Starting this week, 45min netball team game.  (Previously, running as above.)

Afternoon: 50min swimming class.

Sundays
Rest

We stopped gymnastics classes when Covid-19 hit, and we haven't yet restarted.  We may return to it in term 3 on Sundays.