Last weekend a distant family member died, so this week the
extended family congregated at the old ancestral village home for a traditional
funeral.
We went there too, leaving our home early Friday morning and
returning late last night (Saturday).
The ancestral home is in a village about an hour by car from
the city of Meizhou (population over five million), which is about six hours by
train from Guangzhou. Our trip there was
fairly relaxing, apart from two incidents.
Firstly, we got caught in the morning rush-hour traffic
getting to the train station. With sweat
dripping down our faces from running hard, we jumped onto our train just a
couple of minutes before it left.
Secondly, our taxi driver from Meizhou to the village
thought he was a Jedi and calmly drove on the wrong side of the road while
passing cars at high speed on blind corners.
The girls and I rattled around in the back seat with no seatbelts.
Miraculously, we survived the journey there and back.
This was the fourth time I had visited the village, though
the last time was back in 2008 when Mulan was still not walking. I enjoy it there, and if I could choose
between the village and our apartment home in Guangzhou, I would definitely vote
for village life. (Though if I lived
there I would turn one of the fish ponds into a swimming pool, create more of
an outdoor dining area to take advantage of the beautiful mountain views, and
possibly have a bit of a grassy lawn rather than the Chinese-style all-concrete
front section.)
Mama’s father’s mother’s father build the big old dwelling
in about 1930, after returning to China from working overseas. Apparently, he had grand plans for his many children
to raise their families there together, and so he built a couple of huge and
beautiful buildings. Sadly, though, most
of his children moved away, and the old buildings were mostly left bare and
empty.
During the Chinese Cultural Revolution, the big mansion was
attacked and many of the most beautiful artistic parts were destroyed. Time, too, has taken its toll, and the big
wooden beams holding up the roof have slowly become unsafe. One of Mama’s uncles is currently keen on
restoring this biggest building and has been the driving force behind recent
repair-work (funded mostly by rich overseas rellies).
Uncle has grand dreams of turning the mansion into a hotel,
and he is currently modernising one section by fitting out five two-room
apartments. His hope is that the
middle-classes from the nearby city will want to use it as a village retreat
for a month or two at a time. It is a
wonderful, romantic, idea, though from a business perspective it is doubtful. While to us this big building is a special
beauty, in the area they are a dime a dozen and most families are just
abandoning them when they move to the cities.
Nonetheless, we all hope it works out for Uncle. (If anyone wants a romantic,
old-Chinese-village-style holiday, just let me know!)
Two sets of descendants have continued to live in the other
building over the years. This is where
Sanmei Ayi and her three sisters (Mama’s second cousins) grew up as children,
and their parents still live there. When
we stay there, we always stay in their section of the home, and it is always
very comfortable and welcoming.
When we arrived at the village in mid-afternoon, the funeral
ceremonies had already started. I don’t
even pretend to understand much of what was going on, but the essential image
is that of a lot of people and a lot of noise.
Along with the extended family, it appears that a lot of the village was
there too. Mama tells me that it is
important that there is a lot of noise happening (traditionally, to scare away
the bad ghosts) so the family provides heaps of free food and entertainment for
a couple of days to attract the locals.
These locals sit there on the aforementioned concrete front section eating
and playing mah-jong (and acting as ghost-deterrents).
Miya might be part-ghost because the noise certainly really
scared her, too. She clung tightly to me
and put her hands over her ears at the loudest parts. Often she and I walked away and either
watched from a distance or did other things elsewhere. Mulan also put her hands over her ears a lot,
but she was old enough to be okay with it, and she stayed with Mama throughout
most of the activities.
The loudest things came from three sources. Firstly, as we all know, Chinese love long
strings of bangy firecrackers. Secondly,
as we all know, Chinese are like teenagers when it comes to their loud sound
systems (just visit any promotional performance at a shopping centre). Just outside the main mansion doors, they positioned
desk-height speakers to blast out their music and microphoned voices.
But thirdly, and surprisingly, they had hired a
Western-style uniformed marching band, with drums and brass instruments led by
a conductor with an arm-length baton (which was swung around but not thrown
into the air, as far as I saw). (Their
uniforms, however, all looked very tired and stained, and their brass
instruments were brown and unpolished.) Mama
tells me that this is a recent modernisation to traditional Chinese
funerals. Given the volume the marching
band was producing as they did their thing back and forth across the front doorway,
I can understand why Chinese would have latched on to this idea.
Dropping our bags when we first arrived, the four of us immediately
paid our respects to the old granny by bowing to her picture while holding
three incense sticks each.
Besides noise, one of the other central themes of the funeral
ceremony is the (mostly symbolic now) way that the younger generation must provide
for the material needs of the deceased.
Granny’s picture had been placed inside a very elaborate and very
blingy-looking two-dimensional cardboard mansion. Someone had cut out pictures from Home-and-Garden-style glossy magazines
and pasted these in each of the mansion windows. This is to (symbolically) give Granny a
beautiful mansion to live in in the afterlife.
It was intriguing, though, that most of these pictures were of living
and dining areas (she must have had half a dozen or more living areas, all with
very different styling). There were no
bedrooms, toilets or laundries. Only one
picture had a kitchen, which was obscured and in the distance. One picture was of an outdoor dining area,
but this was confusingly on the second floor (maybe Granny has a sloping
section in the afterlife?). Forever the
flippant little pedant, I whispered in Mama’s ear about this. Word came back that those other essential rooms
were all at the back of Granny’s new mansion, and so couldn’t be seen from
these front windows. That is a relief
for Granny. I understand that this
cardboard mansion was burned for Granny, as it is only via the smoke from
burning that the deceased can collect these afterlife gifts. (I understand that while some Chinese still
believe in this literally, for most it is merely a symbolic ritual and reminder
of loved ones.)
Later that night, the girls and I crashed into bed one by
one, with the activities still in noisy full swing. The three of us slept together in a big
traditional (but new) bed, which has three of its four sides closed. Mulan was farthest in, then Miya, then
me. Theoretically, these beds are a wonderful
idea, and I love their look, but they are not very practical to sleep in. For one thing, it means that people inside
have to climb over those on the outside to get out. For another, it means that slightly taller
people like me bump their feet on the board at the foot of the bed (I prefer to
hang my feet slightly off the end of the bed).
Mama stayed up later with the others and slept in Sanmei
Ayi’s room. She informs me that
tradition dictates that at least some of the family members need to be awake
all night. Mama tells us that we missed
some good entertainment programming, including professional fire dancers. I think I heard the music stop around ten
o’clock, but I understand that they still kept up quiet prayer activities
throughout the night.
When I woke around five-ish it was still dark, and it was
just getting light when the girls both woke about half an hour later. We wandered on out hoping to see the sunrise,
but we were slightly too late. Everyone else
was up and moving again soon, too.
Hobbit-style, breakfast in the home was followed by a second
group breakfast for the funeral. Mulan
struggled to eat anything for second breakfast, but Miya happily ate hers.
Between breakfasts, there were more planned activities. The loud noises drove Miya and me away, and
we watched on from a distance. A
professional singer cried while she sang, to get everyone in the mood.
Next, the Buddhist monks and the marching band led the
procession out behind the mansion and up the hill. The hillside is dotted with gravestones and
pagodas of various oldies (positioned with solid feng shui views of the village
below), and we walked up several minutes to where Granny is to be buried. The ceremony complete, we came back down
again for the final funeral activity of second breakfast.
The other main activity we did before lunch and before
returning to Guangzhou was to pay our respects to Mama’s ancestors.
The first time I went to the ancestral village was for
Mama’s grandma’s funeral in 2006. Grandma
has a very lovely pagoda built for her on the hillside. Her husband and their son, Mama’s father, who
both died much earlier, are also there.
A very meaningful activity for us each time we visit the
village is to go up to the pagoda and ritually offer food and burn
ghost-money. Mama personally doesn’t
believe the rituals literally, but as I see it this doesn’t lessen the meaning
of the rituals one little bit. Done in
the right frame of mind, I think it is a lovely way to remember the oldies. Doing something active keeps the hands busy
while letting the mind silently reflect on the loved one. And when this activity is familiar and
homely, like preparing food, it all brings back the memories even better.
First of all, after wiping clean the gravestones, food and
drink is laid out in front of their pictures.
Then with incense we bow to them.
Several minutes later, when the incense is halfway burnt, we burn the
ghost-money. This is similar to burning
the granny’s mansion, in that burning (fake) paper valuables symbolically gives
Grandma her goods that she can then enjoy in the afterlife. Jointly, we burnt several millions of British
pounds and Hong Kong dollars, as well as other indeterminate currencies and bars
of gold. When the wind swirled around
Mama told me that this means that the goodies are being received.
Back down the hill, we had lunch before our Jedi-master taxi
driver took us back to Meizhou. This
time we were about 45 minutes too early for our train. Sanmei Ayi caught the train with us, and we had
a very relaxing and pleasant journey home.
(PS, there are no photos of the events as I didn’t take my camera with me; I didn’t
think it was appropriate for a funeral.
However, clearly, Chinese don’t think like me and they had a
professional cameraperson snapping pictures and taking videos of all the
events.)
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